PERSIA (KASHAN?), 13th CENTURY. (" LAJVARDINA I.E. "LAPIS LAZULI," WARE?) Page 4. FOR PERSIAN ART AND ARCHAEOLOGY 221.

(MUSLIM MONGOL) ART | Facts and Details gambar. Bonhams : Three Ilkhanid lajvardina pottery Star Tiles Pottery bowl. Persia. Ilkhanid period ware.

lājvard “lapis lazuli”) was closely related to mīnāʾī ware, though in a stylistically and thematically different vein, characterized by deep lapis-blue matte glazes, with black, white, red, and gold overglaze-painted patterns of almost exclusively abstract and floral character (Plate xxviii; Lane, 1965, p. 43, pl. 75; Grube Lajvardina ware bowl Iran 1200-1400 CE. Photographed at the Asian Art Museum of San Francisco in California. Media in category "Lajvardina ware" The following 49 files are in this category, out of 49 total. Buy online, view images and see past prices for A Lajvardina ware pottery bowl, Iran, 13th-14th century, of conical form on short foot, decorated wi. Invaluable is the world's largest marketplace for art, antiques, and collectibles. 2021-03-27 · Lajvardina ware ceramics are named for their resemblance to the dark blue stone lapis lazuli.

Lajvardina ware

Dessutom så kallade "lajvardina ware" ( lājvard ”Lapis lazuli”) var nära besläktad med mīnā'ī ware, Lājvard ware, also called Lajvardina Ware, type of vase from Kāshān, Iran, mentioned in Abū al-Qāsim’s treatise on ceramics (1301). Vases were executed in simple red, white, black, and gold leaf designs on a turquoise or dark blue matte glaze. The designs were almost exclusively abstract and floral. On view at The Met Fifth Avenue in Gallery 455 This bowl exhibits a rare glaze type referred to as lajvardina, from the Persian word lajvard, or lapis lazuli (a deep blue colored stone containing gold inclusions). Its design comprises small squares of gold leaf, carefully arranged into intricate patterns with delicate red and white overpainting. Ceramic, lajvardina ware; fritware, painted in red and white with gold leaf on a cobalt blue glaze, 7 x 4 15/16 in. (17.8 x 12.5 cm).

A somewhat later version of this overglaze-painted ware called lajvardina ware, is when the surface of the vessels was covered with a cobalt-blue glaze and the decoration was painted in red and white and further enhanced by thin gold leaves which were pasted on the body 16(24k).

CERAMICS. This entry deals with glazed wares and tiles of the so-called “Sultanabad” (Solṭānābād) group, lajvardina (< Pers. lājvard “lapis lazuli”) wares, and luster wares produced in the Il-khanid period. The period extends from the fall of Baghdad in 1258 to the last dated luster tiles made in 1339 (dated pieces are listed by Watson, 1985 and Ettinghausen Jug, late 13th-early 14th century.Ceramic, lajvardina ware; fritware, painted in red and white with gold leaf on a cobalt blue glaze, 7 x 4 15/16 in.

Lajvardina ware in particular seems to suffer from "retouching" in some cases applied over an original but worn design, in others freely invented on an old or

Please contact RBSCL for details at rbscl-ref@aucegypt.edu or 2615-3676. Find the perfect lajvardina stock photo.

It has been described as "probably the most luxurious of all types of ceramic ware produced in the eastern Islamic lands during the medieval period". [3] Furthermore, the so-called “lajvardina ware” (< Pers.
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Usually, they are painted over a turquoise glaze as illustrated in lots 116-119. For a similar lajvardina bowl of this type and further discussion, see Oliver Watson, Ceramics from Islamic Lands, London, 2004, p.377.

Lajvardina ware is the Mongol continuation of the beautiful and regal Minai technique. A somewhat later version of this overglaze-painted ware called lajvardina ware, is when the surface of the vessels was covered with a cobalt-blue glaze and the decoration was painted in red and white and further enhanced by thin gold leaves which were pasted on the body 16(24k). Lajvardina ware‎ (49 F) M Iranian - Isfahan Ware Vase with a Chinese Lion and a Bearded Man - Walters 481105.jpg 1,469 × 1,800; 1.21 MB. Iranian Lajvardina wares. Finally we explore the relationship between glass makers and potters.
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Lajvardina-ware bowl Kashan, Iran 13th–14th century Lajvardina-ware jar (albarello) Kashan, Iran 13th–14th century Minai-ware jug Kashan, Iran 12th–13th century Jug with luster decoration Kashan, Iran 12th–13th century Jug with luster decoration Kashan, Iran 12th–13th century Bowl with luster decoration Kashan, Iran

20.3 cm Fourteen Minai sherds and one sherd of lajvardina (12th to 13th centuries ad) from several archaeological sites in Iran and Egypt are analysed to clarify the colourants used and the technology of the coloured enamels.The manufacturing process of the coloured enamels and the correlation of the cobalt blue pigment with that used on Chinese blue‐and‐white porcelain are discussed, based on Aug 17, 2014 - Origine :Doris Day foundation decor "lajvardina" Unlike minai ware, however, these later enamelled ceramics primarily featured geometric and vegetal decoration. This was often painted over a dark blue glaze which caused them to be known as lajvardina ware, from the Persian word lajvard (lapis lazuli). CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We demonstrate the potential of Raman spectroscopy as an on-site technique for the characterization of ancient ceramics. This non-destructive analysis offers a way to get information on the process and even sometimes on the date of ancient artifacts. Much information remains written in the microstructure of ceramics Footnotes. This type of lajvardina ware is extremely rare with overglaze painted decoration on a white glaze. Usually, they are painted over a turquoise glaze as illustrated in lots 116-119.